The therapist's office

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What I learnt in my first Film Studies lesson

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My first lesson For our first Film Studies lesson, my class was essentially thrown into the deep end when it came to the introduction to film making as we had to write a 30 second script then film it with little prompt or direction. In many ways this was a good thing to start with as this allowed us to use our creative flair to make something interesting, or in my case I struggled to get any ideas and resorted to Googling terrible joke and trying to find one that didn't want to make me die from cringing and use it as my punchline to try and build a script around that. During the lesson we learnt 2 key things that helped us to make our terribly improvised scripts look somewhat decent from the viewer's perspective, these were: The 180-degree rule and Match on action. 180-degree rule: File:180_degree_rule.svg In film making, the 180-degree rule is a basic guideline that is used in conversations between a character and another character or object within a scene. This is u...
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Wasp

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Narrative theory- Wasp In Wasp, the narrative theory that fits in with the short film the most is the 'Three-act structure'. The first act consists of an exposition, which is used to establish the main characters, their relationships and the world in which the film is set. In the case of Wasp, the film begins in media res  where we get introduced to Zoe and her children as she is having a fight with another woman. This shows the audience the kind of place she lives in and how her children are brought up in a low-income area in London. Later in the act, the protagonist is presented with an inciting incident, which is a problem that disrupts the equilibrium and leads into the second act, signaling the end of the first. In Wasp, this is when Zoe meets Dave and he invites her out for a drink, the problem she faces is that there would be no one to look after her children and therefore she will have to either decline his offer or take the children out with her.  The second ...
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Narrative Theory

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Narrative Theory in Titanic There are 3 main theories that are used to create a good script for a film, these are: Todorov's cyclical Theory of Equilibrium, Levi-Strauss' Theory which is based on binary opposites and Vladmir Propp's 7 archetypes of film. Todorov's cyclical Theory of Equilibrium was created in 1969 and he believed that it could be applied to any film as he believed that they all followed the same narrative pattern. They all go through stages called, equilibrium, disequilibrium, acknowledgement, resolving the problem, and equilibrium again. In the case of the film Titanic this would be applied when Leonardo DiCaprio's character Jack wins a place on the luxurious vessel by winning a poker game. During his stay aboard the titanic he comes to meet Rose (Kate Winslet). Rose is unhappily engaged to a man called Cal when she considers suicide by jumping from the stern of the ship when Jack intervenes and stops her. They go through a state of equilibr...
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